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The Leckie Gallery's Resident
Master Framer,
Noel Horn.

In this brief series, our resident Master Framer, Noel Horn (pictured), takes you through the essential steps to assembling a typical item of artwork, in this case, one of the images from a triptych of black and white photographs.

1
With the glass cut to size, the image for framing is then selected...
The artwork is inserted into the mat using conservation materials and techniques.
2
The glass is carefully dusted off...
The glass is meticulously cleaned and placed on the matted artwork.
3
Affixing backing pins...
Framers points are inserted into the back to firmly hold the matte board in place.
4
Running adhesive around frame edges for backing paper...
Adhesive is run along the back edge of the frame in preparation for the backing paper.
5
The acid-free backing paper is stretched over the frame...
The backing paper is first moistened, then stretched into place, drying firm and taut.
6
Affixing the optional certifying label...
Lastly, hangers and felt spacers are attached to the completed frame and a final check is made
7
Finished_work8.jpg (110183 bytes)
Finished.  The completed work is given one final clean and then set aside for the customer.

Picture Framing:
Two important questions...

 

Question 1

What do the following organisations
have in common?

  • Bendigo Regional Art Gallery
  • Castlemaine Regional Art Gallery
  • Shepparton Regional Art Gallery
  • Swan Hill Regional Art Gallery
  • City of Greater Bendigo
  • LaTrobe University Bendigo
  • Telstra Corporation
  • Telstra Country Wide


Answer to Question 1
They've all had framing done by us recently.

 

Question 2

Why do they come to The Leckie Gallery?

 

Answer to Question 2
We are expert, prompt, meticulous and reasonably priced. We are always happy to give you an obligation-free quote.

Incidentally, we also frame for many private galleries, art dealers, artists, photographers and the wider community.

Open every day, 10am to 5pm.

You can obtain more information about our custom framing service by visiting our Contacts page and telephoning us with your query. We are happy to assist.

email to us Click here to contact The Leckie Gallery
Framing area for a quotation or further info
.

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  At The Leckie Gallery we are committed to protecting your artwork for all time. We use only premium quality materials for our conservation framing. Either plain glass or  Conservation Glass (recommended for artworks requiring maximum protection) is used for all framing of artwork. Conservation Glass is more expensive but offers a much higher level of protection of your artwork with no compromise in viewing quality.
What is Conservation Glass?
Conservation glass is, in effect, a "sunscreen for artwork". It is a specially treated glass that blocks 97% of the most damaging ultraviolet (UV) light—that within the 300–380 nanometre range. It reduces the amount of UV light that comes into contact with the paper and the medium, thereby slowing down the process that, eventually, leads to discolouration and embrittlement—not fading. There is no claim that conservation glass—or any UV-blocking glass—will eliminate fading. That just cannot be done. Artwork protected with conservation glass may still be damaged by visible light, not to mention heat or high humidity.
How does Conservation Glass work?
Conservation glass is coated with a microscopic, silica-based layer of UV-blocking agents, cured onto the surface of the glass. This coating and the glass it is applied to, will remain clear and protect the artwork from UV rays indefinitely.
Why should Conservation Glass be used?

Although light is what allows you to enjoy artwork, ultraviolet light can cause cumulative and irreversible damage. UV light in the 300–400 nanometre range has enough energy to sever the organic bonds of paper-borne art. This can be seen in the way of fading, discolouration and embrittlement of the paper. Artwork, especially that of historic, investment or sentimental value, needs to be protected from ultraviolet attack. Conservation glass is ideal for framing original art, limited edition prints, heirloom photographs and needle art.


Customers are under no obligation to have their work framed using Conservation Glass.
This information is published in the interest of the long-term preservation of all original artwork
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